Recently at POV – POV.STUDIO

Test prints on bubble wrap for @_rosieclements 🤯

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Opening on the 12th of September, at @sadiecoleshq is a show by Urs Fischer, entitled, “Scratch & Sniff”, which includes the results of over 150 hours of multilayered printing at our DTLA studio. From Sadie Coles: “The paintings in Scratch and Sniff present an accumulative exercise in the physical building of images, engaging different applications of painting, photography and ink-jet printing layered together to create heightened spatial dimension. The images they conjure or appropriate (as both simultaneously occur within each painting) can be figurative or fragmented: there are oblique portraits, pop compilations and abstracted landscapes. Like a theatre of flat stage sets, each is built from front to back or from back to front: they float between flatness and depth, alternating physical gesture and on-screen experience..”

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Over the course of the last 12 months we’ve been working closely with Thom Mayne on developing his new body of work, “Shaping Accident”, which debuted last night at a private opening at LA Louver. Highly recommend seeing this show, which opens to the public on September 18th. Several very large scale pieces that were produced in our DTLA studio + small scale works on paper we produced as well. Visit @lalouver and their official website for more info! Including just few detail shots, but seeing the full show is a must. Huge thx to Thom and his team, as well as @gk_da, my partner on all fronts.

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Some laser cutting we did for @michaelcarter.studio turned into really beautifully finished pieces. Mars Opposition Neptune (for Pietro), 2023
Quartz crystal and acrylic on birch plywood
15 x 10.75 x 1 in.

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@canyon_castator carefully removing some tape from our recent, “can you print on this bike?” experiment. ⚡️

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Bianca Fields @beeyonkerz edition for @exhibitiona // Textured UV print with spot varnish on copper foil paper. 14 x 16 inches // Edition of 30, and available via @exhibitiona 🙌🏼

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Studio Experiments // 16 layer UV print + Purified Beeswax & Damar Resin

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Fragment snapshot of a large project from today / 36 x 72 inch prints on 3mm aluminum, silver leafed prior to printing. 🩶

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Swipe to zoom in! Artist and professional gum chewer @pat_riot_art with this huge portrait made entirely from tiny pieces of chewed gum. 48 x 57 inches, Gum on Aluminum Panel, scanned at 600 ppi, including detailed topographical data.

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Pigment print on super thin lacquered Hanji.

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Daily machine maintenance looking pretty good.

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Print on smooth sanded birch plywood for @crawfordcraft_

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@robert_william_moreland for @exhibitiona | This project was a unique challenge and a proud accomplishment in the end. Each piece in the edition was UV printed museum board, laser cut and assembled from 42 individual pieces using laser cut placement jigs. More info and images at pov.studio

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This one sold out real quick. Well done @rhymezlikedimez | UV pigment print on holographic stock + spot varnish + embossed elements.

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Small texture detail of one of the @richard.serra pieces we had the pleasure of scanning for @geminigel | Super impressive works on paper, with each one requiring a very specialized set of scans that properly describe the unique surface. Our Metis Scanner gives us extensive control over light direction and intensity, which enables us to custom fine tune the lighting for any individual piece of art depending on the surface characteristics.

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“BABY, THESE ARE DIAMONDS NOT TEARS“, by @velvetotherworld for @exhibitiona | UV pigment print on mirror polished aluminum composite panel + textured elevations + laser engraving + hand applied swarovski crystals. 23 x 26 inches. Available via @exhibitiona | This edition presented us with some unique challenges, but once we worked through it all, the end result was / is quite stunning.

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Looking back and loving these beautiful prints for @child_appetite / UV print + spot varnish on rainbow holographic 220 gsm paper. We’re doing a bit of 2023 time traveling via the studio phone camera roll and have so many bits and pieces of inspiring projects to post.

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Reflections on a now sold out @garylangart edition we recently produced for @louisbuhl. 36” print on white enameled aluminum with multiple spot varnish finishes and a cleated aluminum back frame. ✨

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How cool is this little guy!? (🎨: @rhymezlikedimez) ~ You’ll soon be able to order custom hand embossers directly from our studio, with super quick turn around, to make sure your next print project gets that perfect little extra finishing touch. ✨

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As we start the new year, let us know if you would like to explore some less-than-common options and processes for your next printed edition. The edition featured here, created for @foreigndomesticeditions, features the work of artist @kimchihey. Double sided UV pigment print on hand torn / cut translucent Unryu paper made with kozo fiber and chiri bark. This edition relied heavily on the translucency of the paper to effectively translate the aesthetic of Cindy’s original works. Tearing this paper proved to be much more challenging than initially anticipated, so the entire edition was hand trimmed with a very coarse carpenter’s rasp. This allowed us to keep a consistent edge while still cutting through tough rogue pieces of bark that are native to this particular paper.

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