Recently at POV – POV.STUDIO

Grace and Jeremy working the edges of custom made 430gsm Igarashi Kozo paper. The prep work on this paper - at this size ( 72 x 103 inches ) - is an immense undertaking with a lot of nuanced and very important steps to ensure that we end up with a great print, while also not damaging the delicate print heads on our machine. On these particular prints we also needed to print full bleed over the natural edge of the paper, which further complicates the process. @jasonoppenheim

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More experiments with @brianhmerriam // this paper felt like a graham cracker made out of birdseed. Slightly unruly but worked out really well nonetheless!

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Topographical explorations on silk.

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Custom humidifier box for flattening some very stubborn paper. 32 sheets left inside overnight and now they’re looking nice and flat. When we can’t find a tool we need, we make it.

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One of the biggest challenges when someone begins the process of creating prints is the paper selection process. We have such a wildly diverse range of papers and other substrates that it can sometimes be overwhelming. Many clients decide to view the same file on multiple materials to work through the nuances. If you need help deciding on a point of departure, simply schedule a consultation and we can help you. 👊🏼

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Structures, mid process. Detail snapshot from a past project for @ryantrecartin

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Urs Fischer, ‘Artificial Sweetener’, On view in December at @baselmiami with @gagosian. Highly textured UV print over original painting, printed at our Los Angeles studio.

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Amate experiments with @brianhmerriam 🤯

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Contoured laser surface engraving on ultra thick kozo paper with black pumice dust to give it some contrast. Some internal experiments with @jeremy_pov 16 x 16 inches

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Inks and Plastics and Laser Beams // Experimentation Station

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BTS snapshot showing the contoured canvas shrinkage that happens as a result of printing many layers of ink to create textured elevations on a 100% cotton acrylic primed canvas. 🤯

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Recent hi res scans for @hartigangold 🔎 // 2nd image is a detail from the 1st image*

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Coming Soon: @robert_william_moreland for @louisbuhl // UV print on 325gsm Hot Press Paper // Edition of 35 - 36” x 36” // Join the list via @louisbuhl to be notified when this is released. 🟦

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Textured UV print on mirrored acrylic with contoured laser cutting and inset aluminum back frame. 27 x 30 inches. Edition of 16. @sillyshilli for @exhibitiona 🙌🏼

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@sillyshilli for @exhibitiona

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Set your calendar for this one! Stunning prints for @seannorvet / Available October 18th. Visit his IG for more details 🙌🏼

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“Old Growth” Limited Edition Mirror we produced for @jrpeditions. Artist: @_sayre_gomez_ Size: 30 x 36 inches, Edition of 50. Photos by @joshuawhitephotography

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Embossing test with in-house delrin plates on our 1888 Columbian hand press. 😍

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Origami cardboard is better than plastic. Fresh new pieces to the fine art packing puzzle.

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Install shots of the @chaosursfischer show @sadiecoleshq / This show will really give you a sense of what is possible when you push the limits of multi layered printing. The entire show is a great example of ‘print as original work’, as opposed to editions, multiples, or reproducing something that already existed. We really enjoyed working with Urs and his team on these pieces. Any time we are asked to do things that we aren’t even sure are possible, we know we are on the right track and on the path that we enjoy the most.

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