Recently at POV – POV.STUDIO

From 22 x 30 to ultra super size. UV print on 100% cotton canvas.

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@brianhmerriam loves bringing us the challenging papers to print. The results certainly pay off. Check out his IG for news on these.

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150” of cotton rag goodness.

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@kenz123 came by the studio to sign her new limited edition prints. Thank you, Mackenzie!

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White on white on white with @garylangart // 36” aluminum circle with many many layers of white ink to build subtle undulations of topographical contours.

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UV textured print created from a topographical scan on our Metis Scanner. No matter how many times we see the resulting print, the result just melts your brain. Something you have to see in person to realize how crazy it is. This particular sample even has the micro cracks in the surface of the paint that were captured during the scanning process.

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Another behind the scenes look at surface prep on the oversized sheets of Kozo we recently printed. Really loving this agate burnisher from @vintage_paper_co_uk

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Grace and Jeremy working the edges of custom made 430gsm Igarashi Kozo paper. The prep work on this paper - at this size ( 72 x 103 inches ) - is an immense undertaking with a lot of nuanced and very important steps to ensure that we end up with a great print, while also not damaging the delicate print heads on our machine. On these particular prints we also needed to print full bleed over the natural edge of the paper, which further complicates the process. @jasonoppenheim

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More experiments with @brianhmerriam // this paper felt like a graham cracker made out of birdseed. Slightly unruly but worked out really well nonetheless!

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Topographical explorations on silk.

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Custom humidifier box for flattening some very stubborn paper. 32 sheets left inside overnight and now they’re looking nice and flat. When we can’t find a tool we need, we make it.

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One of the biggest challenges when someone begins the process of creating prints is the paper selection process. We have such a wildly diverse range of papers and other substrates that it can sometimes be overwhelming. Many clients decide to view the same file on multiple materials to work through the nuances. If you need help deciding on a point of departure, simply schedule a consultation and we can help you. 👊🏼

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Structures, mid process. Detail snapshot from a past project for @ryantrecartin

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Urs Fischer, ‘Artificial Sweetener’, On view in December at @baselmiami with @gagosian. Highly textured UV print over original painting, printed at our Los Angeles studio.

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Amate experiments with @brianhmerriam 🤯

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Contoured laser surface engraving on ultra thick kozo paper with black pumice dust to give it some contrast. Some internal experiments with @jeremy_pov 16 x 16 inches

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Inks and Plastics and Laser Beams // Experimentation Station

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BTS snapshot showing the contoured canvas shrinkage that happens as a result of printing many layers of ink to create textured elevations on a 100% cotton acrylic primed canvas. 🤯

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Recent hi res scans for @hartigangold 🔎 // 2nd image is a detail from the 1st image*

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Coming Soon: @robert_william_moreland for @louisbuhl // UV print on 325gsm Hot Press Paper // Edition of 35 - 36” x 36” // Join the list via @louisbuhl to be notified when this is released. 🟦

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